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LE SUEUR, Eustache
French painter (b. 1616/17, Paris, d. 1655, Paris).
French painter and draughtsman. He was one of the most important painters of historical, mythological and religious pictures in 17th-century France and one of the founders of French classicism. He was long considered the 'French Raphael' and the equal of Nicolas Poussin and Charles Le Brun. His reputation reached its zenith in the first half of the 19th century, but since then it has been in decline, largely as a result of the simplified and saccharine image of the man and his art created by Romantic writers and painters. Nevertheless, more recent recognition of the complexity of his art has resulted in a new interest in him and in his place in the evolution of French painting in the 17th century. Despite the almost total absence of signed and dated works, the chronology of Le Sueur's oeuvre can be established with the aid of a few surviving contracts, Related Paintings of LE SUEUR, Eustache :. | The Muses: Melpomene, Erato and Polymnia | The Muses: Clio, Euterpe and Thalia dh | The Muses: Melpomene, Erato and Polymnia sf | St Bruno Examining a Drawing of the Baths of Diocletian Location of the Future Charterhouse of Rome (mk05) | The Muse Terpsichore wf | Related Artists: Walter HuntBritish
1861-1941
Jan victorsDutch Baroque Era Painter, ca.1619-1676
was a Dutch Baroque painter that focused mainly on painting subject from the Bible. He was a student of Rembrandt van Rijn. SCHRIECK, Otto Marseus vanDutch Baroque Era Painter, 1619-1678
Dutch painter. According to Houbraken, he travelled to Italy and stayed in Rome and Florence with the painters Matthias Withoos and Willem van Aelst, the latter his pupil at the time. Among his patrons were Ferdinando II de' Medici, Grand Duke of Tuscany (reg 1621-70). Van Hoogstraten claimed that he met van Schrieck in Rome as late as 1652. In Rome, van Schrieck was a member of the Schildersbent. About 1657 he returned with van Aelst to Amsterdam, where he had a small property and got married on 25 April 1664. An inventory of the contents of his house was made in July 1678, shortly after his death, in which more than 300 paintings are listed. Besides his own paintings, there were works by Cornelis van Poelenburch, Simon de Vlieger, Ludolf Bakhuizen, Jan Wijnants, Lucas van Leyden
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